https://shiftingconnections.com/2017/01/06/starting-over-in-2017/https://shiftingconnections.com/wp-content/uploads/2017/01/a1a9d1eb-bde4-48eb-95ae-463380ce5b081.pnga1a9d1eb-bde4-48eb-95ae-463380ce5b08Capucine Gros, 360 Thank You's, 2012/2016.https://shiftingconnections.com/wp-content/uploads/2017/01/capucine01_sm.jpgcapucine01_sm2017-01-10T15:48:16+00:00monthlyhttps://shiftingconnections.com/2016/11/09/listening-speaking-making/https://shiftingconnections.com/wp-content/uploads/2016/11/servicestation-spectacle-island1_sm.jpgservicestation-spectacle-island1_smhttps://shiftingconnections.com/wp-content/uploads/2016/11/service-station-spectacle-island-4_sm1.jpgservice-station-spectacle-island-4_smWilliam Chambers, Service Station, Spectacle Island, 2016.https://shiftingconnections.com/wp-content/uploads/2016/11/service-station-spectacle-island-3_sm.jpgservice-station-spectacle-island-3_smWilliam Chambers, Service Station, Spectacle Island, 2016.2016-11-21T17:57:23+00:00monthlyhttps://shiftingconnections.com/2016/11/11/by-other-means/https://shiftingconnections.com/wp-content/uploads/2016/11/davidovich01.jpgdavidovich012016-11-11T08:08:54+00:00monthlyhttps://shiftingconnections.com/2016/07/05/blind-dates-in-mourning/https://shiftingconnections.com/wp-content/uploads/2016/07/neery01b.jpgNeery01bhttps://shiftingconnections.com/wp-content/uploads/2016/07/neery052.jpgNeery05https://shiftingconnections.com/wp-content/uploads/2016/07/neery031.jpgNeery03https://shiftingconnections.com/wp-content/uploads/2016/07/neery021.jpgNeery02https://shiftingconnections.com/wp-content/uploads/2016/07/neery011.jpgNeery01https://shiftingconnections.com/wp-content/uploads/2016/07/neery041.jpgNeery042016-07-18T05:52:59+00:00monthlyhttps://shiftingconnections.com/interviewsreviewsessays/https://shiftingconnections.com/wp-content/uploads/2012/11/unnamed.jpgunnamed2016-07-05T18:32:09+00:00weekly0.6https://shiftingconnections.com/2016/05/19/dots-and-dashes-crumbs-and-ashes/https://shiftingconnections.com/wp-content/uploads/2016/05/fallingtower_square.jpgfallingtower_squarehttps://shiftingconnections.com/wp-content/uploads/2016/05/kathleens-desk_maria-elenas-letter_sm1.jpgKathleen's desk_Maria Elena's letter_smhttps://shiftingconnections.com/wp-content/uploads/2016/05/fallingtower.jpgfallingtowerGwenessa Lam, Falling Tower, from Mongrel Histories, 2016https://shiftingconnections.com/wp-content/uploads/2016/05/pocc81rtico-acricc81lico-sobre-lino-2013_sm.jpgPórtico, Acrílico sobre lino 2013_smMaria Elena Álvarez, Pórtico, 2013, acrylic on linen.2016-05-19T19:26:46+00:00monthlyhttps://shiftingconnections.com/2015/06/21/shifting-connections/https://shiftingconnections.com/wp-content/uploads/2015/06/still-life_rocksfeather.jpgstill life_rocks+featherStill life: Rocks and Feather, photo © Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2015/06/book-of-laughter.jpgbook of laughterStill life: The Book of Laughter and Forgetting, photo © Kathleen MacQueen.2015-06-26T15:36:07+00:00monthlyhttps://shiftingconnections.com/2015/06/04/in-sight-in-mind-3-artists-discuss-surface/https://shiftingconnections.com/wp-content/uploads/2015/06/pv_sobremar1.jpgPV_sobremar1Patricia Villalobos, sobremar, Installation view at the V Biennial of Visual Arts of Nicaragua, Teatro Rubén Darío, Managua, Nicaragua, 2005. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2015/06/pv_parasite.jpgPV_parasitePatricia Villalobos Echeverría, parasite (40°27’25”N 80°00’48”W), 2009, installation view, the Mattress Factory, Pittsburgh, PA. Courtesy the artist. https://shiftingconnections.com/wp-content/uploads/2015/06/as_implosion_shelf_detail.jpgAS_IMPLOSION_shelf_detailAnalia Segal, Implosion, installation detail, Opus Projects Gallery, 2015. Courtesy the artist and Opus Projects, New York.https://shiftingconnections.com/wp-content/uploads/2015/06/jd_tape-project_19721.jpgJD_tape project_1972Jaime Davidovich, Tape project, 1972/2015, installation detail, the Bronx Museum of the Arts. Photo © Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2015/06/pve_memeplex.jpgPVE_memeplexPatricia Villalobos Echeverría, memeplex @ N14°06'17" W87°11'59", installation view, Centro de Artes Visuales Contemporáneo CAVC/MUA, Tegucigalpa, Honduras, 2013. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2015/06/pve_cystemaweb.jpgL1040513 - Version 2Patricia Villalobos Echeverría, cystema @ 23°8'27.054"N 82°21'10.117"W, installation view at Centro de Arte Wilfredo Lam at the XI Havana Biennial, Havana, Cuba, 2012. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2015/06/pve_camuflajecombo.jpgPVE_camuflajecomboPatricia Villalobos Echeverría, camuflaje @ 12°9'19"N 86°16'19"W ,installation view at The National Palace of Culture / El Palacio Nacional de la Cultura, Managua, Nicaragua, 2009. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2015/06/jd_tape-and-video-project-1970-2015.jpgJD_tape-and-video-project-1970-2015Jaime Davidovich, Tape and video project, 1970-2015, installation view at the Bronx Museum of the Arts, 2015. Courtesy of the artist and Henrique Faria, New York.https://shiftingconnections.com/wp-content/uploads/2015/06/jd_staircase-1971.jpgJD_staircase_1971Jaime Davidovich, Staircase, 1971. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2015/06/jd_sidewalk-1971.jpgJD_sidewalk_1971Jaime Davidovich, Sidewalk, 1971. Courtesy of the artist and Henrique Faria, New York.2015-06-06T05:54:38+00:00monthlyhttps://shiftingconnections.com/2015/05/22/summer-shorts-2/https://shiftingconnections.com/wp-content/uploads/2015/05/ramin-haerizadeh.jpgramin haerizadehRamin Haerizadeh, Carrot Cake, Carrot Cake, Do You Have Any Nuts? 2014. Courtesy the artist and Callicoon Fine Arts, New York.https://shiftingconnections.com/wp-content/uploads/2015/05/jaime-davidovich_sm.jpgjaime davidovich_smJaime Davidovich, Adventures of the Avant-Garde, installation view, the Bronx Museum of Art, 29 March - 14 June 2015. Photo © Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2015/05/summer-shorts_sm.jpgsummer shorts_smGallery cards, © Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2015/05/haerizadeh_callicoon01.jpghaerizadeh_callicoon01Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian, I won’t wait for grey hairs and worldly cares to soften my views, installation view, Callicoon Fine Arts, 12 April - 31 May 2015.2015-05-29T11:57:46+00:00monthlyhttps://shiftingconnections.com/2015/04/17/walid-raads-witness-protection-program/https://shiftingconnections.com/wp-content/uploads/2015/04/documenta-13-walid-raad-sq.jpgdocumenta-13-walid-raad-sqhttps://shiftingconnections.com/wp-content/uploads/2015/04/documenta-13-walid-raad-2.jpgdocumenta-13-walid-raad-2https://shiftingconnections.com/wp-content/uploads/2015/04/raad_notebk_v72.jpgRaad_Notebk_v72The Atlas Group - Walid Raad, Notebook volume 72: Missing Lebanese wars, 1989. Attributed to: Dr. Fadl Fakhouri. © Photo: Walid Raad. Repro: Haupt & Binder.https://shiftingconnections.com/wp-content/uploads/2015/04/wr_scratching-on-things_d13_graue-moschee_installation-view_1401.jpgWR_Scratching-on-Things_d13_Graue-Moschee_installation-view_1401Walid Raad, Scratching on Things I Could Disavow: A History of Art in the Arab World, installation view, documenta(13), 9 June - 16 September 2012 in Kassel, Germany. Courtesy The Artist and gallery Sfeir-Semler Beirut Hamburg.https://shiftingconnections.com/wp-content/uploads/2015/04/04_walid_raad.jpg04_walid_raadWalid Raad, Scratching on Things I Could Disavow: A History of Art in the Arab World, 2007 - ongoing, Appendix XVIII: Plates 22-257, installation view, documenta(13), 9 June - 16 September 2012 in Kassel, Germany. © Photo: Haupt & Binder.https://shiftingconnections.com/wp-content/uploads/2015/04/walid-raad_suha-traboulsi.jpgWalid Raad_Suha TraboulsiWalid Raad, Letters to the Reader (1864, 1877, 1916, 1923), 2014, installation view showing walls created by Suha Traboulsi, Warsaw Museum of Modern Art. Courtesy of the artist and Sfeir-Semler Gallery, Hamburg/Beirut.2015-04-21T01:15:41+00:00monthlyhttps://shiftingconnections.com/2015/03/20/all-that-is-marvelous-hito-steyerls-21c-baudelairean-insight/https://shiftingconnections.com/wp-content/uploads/2015/03/15_hitosteyerl_006_sq.jpgArtists Space--Hito Steyrlhttps://shiftingconnections.com/wp-content/uploads/2015/03/15_hitosteyerl_004_sm.jpgArtists Space--Hito Steyrlhttps://shiftingconnections.com/wp-content/uploads/2015/03/15_hitosteyerl_007_sm.jpgArtists Space--Hito Steyrlhttps://shiftingconnections.com/wp-content/uploads/2015/03/15_hitosteyerl_006_sm.jpgArtists Space--Hito SteyrlHito Steyerl, In Free Fall, 2010, HD video with sound, 30 mins, installation view from Hito Steyerl, Artists Space, 2015. Courtesy of the artist; Andrew Kreps, New York; and Wilfried Lentz, Rotterdam.https://shiftingconnections.com/wp-content/uploads/2015/03/15_hitosteyerl_002_sm.jpgArtists Space--Hito SteyrlHito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins, installation view from Hito Steyerl, Artists Space, 2015. Courtesy of the artist; Andrew Kreps, New York; and Wilfried Lentz, Rotterdam.2015-04-17T19:18:18+00:00monthlyhttps://shiftingconnections.com/2015/03/06/alejandro-cesarco-an-artists-promise/https://shiftingconnections.com/wp-content/uploads/2015/03/ac_allegories06_sm.jpgAC_Allegories06_smAlejandro Cesarco, Allegory, or, The Perils of the Present Tense, 2015, film still, 16mm film transferred to digital, color, silent, 9:30 minutes. Courtesy the artist and Murray Guy, New York.https://shiftingconnections.com/wp-content/uploads/2015/03/ac_loyalties05_sm.jpgAC_Loyalties05_smAlejandro Cesarco, Loyalties and Betrayals, 28 February – 4 April 2015, installation view. Courtesy the artist and Murray Guy.https://shiftingconnections.com/wp-content/uploads/2015/03/ac_allegories07_sm.jpgAC_Allegories07_smhttps://shiftingconnections.com/wp-content/uploads/2015/03/ac_allegories04_sm.jpgAC_Allegories04_smAlejandro Cesarco, Allegory, or, The Perils of the Present Tense, 2015, film still, 16mm film transferred to digital, color, silent, 9:30 minutes. Courtesy the artist and Murray Guy, New York.https://shiftingconnections.com/wp-content/uploads/2015/03/ac_allegories01_sm.jpgAC_Allegories01_smAlejandro Cesarco, Allegory, or, The Perils of the Present Tense, 2015, film still, 16mm film transferred to digital, color, silent, 9:30 minutes. Courtesy the artist and Murray Guy, New York.https://shiftingconnections.com/wp-content/uploads/2015/03/ac_allegories02_sm.jpgAC_Allegories02_smAlejandro Cesarco, Allegory, or, The Perils of the Present Tense, 2015, film still, 16mm film transferred to digital, color, silent, 9:30 minutes. Courtesy the artist and Murray Guy, New York.https://shiftingconnections.com/wp-content/uploads/2015/03/ac_allegory01.jpgAC_Allegory01Alejandro Cesarco, Allegory, or, The Perils of the Present Tense, 2015, film still, 16mm film transferred to digital, color, silent, 9:30 minutes. Courtesy the artist and Murray Guy, New York.https://shiftingconnections.com/wp-content/uploads/2015/03/ac_untitled-remembered_sm.jpgAC_Untitled Remembered_smAlejandro Cesarco, Untitled (Remembered), 2014, archival inkjet print. Courtesy of the artist and Murray Guy, New York. 2015-04-03T19:49:24+00:00monthlyhttps://shiftingconnections.com/2015/02/24/the-brilliance-of-snowden-congratulations-laura-poitras/https://shiftingconnections.com/wp-content/uploads/2015/02/three-targets.jpgdesolation island freezesNayda Collazo-Llorens, Random Triggers, 2012. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2015/02/path_to_hope.jpgpath_to_hopehttps://shiftingconnections.com/wp-content/uploads/2015/02/2855688_orig.jpg2855688_orighttps://shiftingconnections.com/wp-content/uploads/2015/02/3179244.jpg3179244Nayda Collazo-Llorens, Random Triggers, 2012. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2015/02/5070606.jpg50706062015-03-12T16:12:29+00:00monthlyhttps://shiftingconnections.com/2015/03/07/all-that-is-marvelous-finlands-melancholia/https://shiftingconnections.com/wp-content/uploads/2015/03/image2_eric_dyer_feldman_sm.jpgImage2_Eric_Dyer_Feldman_smhttps://shiftingconnections.com/wp-content/uploads/2015/03/image1_ic98_av-aark_sm.jpgImage1_IC98_AV-aark_sm2015-03-10T13:08:14+00:00monthlyhttps://shiftingconnections.com/2015/01/28/all-that-is-marvelous-laura-poitras-trust/https://shiftingconnections.com/wp-content/uploads/2015/01/poitras_trilogy.jpgPoitras_Trilogyhttps://shiftingconnections.com/wp-content/uploads/2015/01/2_citizenfour1.jpg2_citizenfourCITIZENFOUR, film still provided by The Guardian Newspaper. Courtesy AP Photo/The Guardian, Glenn Greenwald and Laura Poitras.https://shiftingconnections.com/wp-content/uploads/2015/01/24citizen-articlelarge-v2.jpg24CITIZEN-articleLarge-v2CITIZENFOUR, film still provided by The New York Times. Courtesy The New York Times, Glenn Greenwald and Laura Poitras.https://shiftingconnections.com/wp-content/uploads/2015/01/141020_r25652-1200.jpg141020_r25652-1200CITIZENFOUR, film still provided by The Guardian Newspaper. Courtesy AP Photo/The Guardian, Glenn Greenwald and Laura Poitras.https://shiftingconnections.com/wp-content/uploads/2015/01/3e266a8e0dcc48edb27030766cb0f9a4.jpgRussia SnowdenCITIZENFOUR, film still provided by The Guardian Newspaper. Courtesy AP Photo/The Guardian, Glenn Greenwald and Laura Poitras.2015-02-28T06:38:35+00:00monthlyhttps://shiftingconnections.com/2013/10/14/sva-talk-102313-2/https://shiftingconnections.com/wp-content/uploads/2013/10/l19usuario.jpgL19usuarioNayda Collazo-Llorens, ESCaperucita & Little Flying Hood, detail, 2010. Courtesy of the artist.2015-02-16T08:11:22+00:00monthlyhttps://shiftingconnections.com/2014/08/22/a-landscape-of-tragedy/https://shiftingconnections.com/wp-content/uploads/2014/08/1_jaar_defineart2014_jm_02small1.jpg1_Jaar_deFINEart2014_JM_02smallFaces (1982) by Alfredo Jaar; installation view at SCAD Museum of Art; photography by John McKinnon, courtesy of SCAD.2015-02-16T08:08:15+00:00monthlyhttps://shiftingconnections.com/2013/10/30/pablo-helguera-on-bomblog/https://shiftingconnections.com/wp-content/uploads/2013/10/2013_helguera_libreria_donceles0b.jpg2013_helguera_libreria_donceles0bPablo Helguera, Librería Donceles, 2013. Courtesy of the artist and Kent Fine Art, New York. https://shiftingconnections.com/wp-content/uploads/2013/10/helguera_conservatory_of_dead_languages_20042-1.jpgHELGUERA_Conservatory_of_Dead_Languages_20042-1Pablo Helguera, Conservatory of Dead Languages: Cristina Calderón (b.1929) and Marie Smith Jones (1918–2008), 2004–present. Courtesy of the artist and Kent Fine Art, New York.https://shiftingconnections.com/wp-content/uploads/2013/10/2013_helguera_libreria_donceles0.jpg2013_helguera_libreria_donceles0Pablo Helguera, Librería Donceles, 2013. Courtesy of the artist and Kent Fine Art, New York. https://shiftingconnections.com/wp-content/uploads/2013/10/helguera_2013_donceles33.jpgHelguera_2013_Donceles33Pablo Helguera, Librería Donceles, 2013, installation detail. Courtesy of the artist and Kent Fine Art, New York.https://shiftingconnections.com/wp-content/uploads/2013/10/helguera_2013_donceles2.jpgHelguera_2013_Donceles2Pablo Helguera, Librería Donceles, 2013, installation detail. Courtesy of the artist and Kent Fine Art, New York.2015-02-16T08:06:40+00:00monthlyhttps://shiftingconnections.com/2014/11/19/all-that-is-marvelous-haackes-gift-horse/https://shiftingconnections.com/wp-content/uploads/2014/11/hh2014pcg5211sp_1_sm.jpgHH2014PCG5211SP_1_smInstallation view, Hans Haacke, 521 W 21st Street.https://shiftingconnections.com/wp-content/uploads/2014/11/hh_gift-horse01_sm.jpgHH_Gift Horse01_smHans Haacke, Gift Horse, Model for Fourth Plinth, Trafalgar Square, London, (detail), 2013; bronze and electroluminescent film; sculpture: 18 1/8 x 16 x 6 1/4 in. (46 x 40.6 x 15.9 cm) plinth: 13 x 8 1/2 x 18 in. (33 x 21.6 x 45.7 cm). ©Hans Haacke. Courtesy Paula Cooper Gallery. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/11/hh_business-behind-art01_sm.jpgHH_Business Behind Art01_smHans Haacke, [on the wall] The Business Behind Art Knows the Art of the Koch Brothers (2014) and [on the floor] Together (2013) installation view, dimensions variable. ©Hans Haacke. Courtesy of Paula Cooper Gallery. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/11/hh_gift-horse03_sm.jpgHH_Gift Horse03_smHans Haacke, Gift Horse (2013) proposal drawing. ©Hans Haacke. Courtesy Paula Cooper Gallery. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/11/hh_business-behind-money02_sm.jpgHH_Business Behind Money02_smHans Haacke, [on the wall] The Business Behind Art Knows the Art of the Koch Brothers (2014) [on the floor] Together (2013) installation view, dimensions variable. ©Hans Haacke. Courtesy of Paula Cooper Gallery. Photo by the author.2015-02-16T08:01:48+00:00monthlyhttps://shiftingconnections.com/2014/03/07/winter-notations-ii-moving-image/https://shiftingconnections.com/wp-content/uploads/2014/03/garber-maikovska01.jpgGarber-Maikovska01Aaron Garber-Maikovska, Untitled, 2014, HD video, installation view, Moving Image, March 6-8, 2014. Courtesy of Greene Exhibitions, Los Angeles. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/03/frecuencia03.jpgfrecuencia03Daniel Canogar, Frequency, 2012, 33 analog television screens, projector, multimedia hard drive, 4:30 min. animation loop. Courtesy the artist and bitforms gallery, New York.https://shiftingconnections.com/wp-content/uploads/2014/03/thornton_luna01.jpgthornton_luna01Leslie Thornton, Luna, 2013, 3-channel HD video, exhibited on 3 large-scale monitors mounted vertically on wooden structure, installation view, Moving Image, March 6-8, 2014. Courtesy Winkleman Gallery, New York. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/03/canogar_frequency01.jpgcanogar_frequency01Daniel Canogar, Frequency, 2012, 33 analog television screens, projector, multimedia hard drive, 4:30 min. animation loop, installation view, Moving Image, March 6-8, 2014. Courtesy bitforms gallery. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/03/viita_coriolis01.jpgviita_coriolis01Milja Viita, Coriolis, 2013, HD video, 13:48 min., installation view, Moving Image, March 6-8, 2014. Courtesy of AV-arkki, Helsinki, Finland. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/03/chang_wandering-lake01.jpgchang_wandering lake01Patti Chang, Invocation for a Wandering Lake, part I, 2014, HD video, 11 min., installation view, Moving Image, March 6-8, 2014. Courtesy of Creative Capital. Photo by the author.2015-02-16T07:58:29+00:00monthlyhttps://shiftingconnections.com/2015/01/30/all-that-is-marvelous-eais-sleeper-exhibit/https://shiftingconnections.com/wp-content/uploads/2015/01/as_welcome_web_10_sm.jpgAS_Welcome_WEB_10_smInstallation view from Welcome to my World, Artists Space, 2014. Courtesy Artists Space. Photo: Daniel Pérez.https://shiftingconnections.com/wp-content/uploads/2015/01/as_welcome_web_03_sm.jpgAS_Welcome_WEB_03_smInstallation view from Welcome to my World, Artists Space, 2014. Courtesy Artists Space. Photo: Daniel Pérez.https://shiftingconnections.com/wp-content/uploads/2015/01/as_welcome_web_01_sm.jpgAS_Welcome_WEB_01_smInstallation view from Welcome to my World, Artists Space, 2014. Courtesy Artists Space. Photo: Daniel Pérez.https://shiftingconnections.com/wp-content/uploads/2015/01/as_welcome_web_11_sm.jpgAS_Welcome_WEB_11_smInstallation view from Welcome to my World, Artists Space, 2014. Courtesy Artists Space. Photo: Daniel Pérez.https://shiftingconnections.com/wp-content/uploads/2015/01/welcome032.jpgWelcome03https://shiftingconnections.com/wp-content/uploads/2015/01/welcome021.jpgWelcome02Welcome to My World, installation view at Artists Space Books & Talks. Courtesy of Expanded Art Ideas (EAI). Photo by Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2015/01/welcome011.jpgWelcome01Welcome to My World, installation view at Artists Space Books & Talks. Courtesy of Expanded Art Ideas (EAI). Photo by Kathleen MacQueen.2015-02-01T21:18:42+00:00monthlyhttps://shiftingconnections.com/2015/01/16/all-that-is-marvelous-caroline-bergvall/https://shiftingconnections.com/wp-content/uploads/2015/01/carolinebergvalldrift_cropped.jpgcarolinebergvalldrift_croppedhttps://shiftingconnections.com/wp-content/uploads/2015/01/carolinebergvalldrift-842x0.jpgcarolinebergvalldrift.842x0https://shiftingconnections.com/wp-content/uploads/2015/01/cb007_sm.jpgCB007_smCaroline Bergvall, BLOCK A616 / 12, 2012-2013, india ink on sketching paper, 11 x 8 1/4 inches. Courtesy the artist and Callicoon Fine Arts, NY.https://shiftingconnections.com/wp-content/uploads/2015/01/cb_callicooninstall_2015_2sm.jpgCB_CallicoonInstall_2015_2smCaroline Bergvall, Drift, installation view, Callicoon Fine Arts, January 9 - February 15, 2015. Courtesy the artist and Callicoon Fine Arts, NY.2015-01-28T18:53:11+00:00monthlyhttps://shiftingconnections.com/2014/12/11/tactical-response-iii-seeing-stars/2014-12-22T15:39:16+00:00monthlyhttps://shiftingconnections.com/2014/12/17/in-sightin-mind-yevgeniy-fiks-part-2/https://shiftingconnections.com/wp-content/uploads/2014/12/smith_cold-war_09.jpgSmith_Cold War_09Dolsy Smith (c. 1978, New York, lives Washington D.C.) and Kant Smith (b. 1983, Lafayette, LA; lives New York), Clandestine Reading Room, 2014.https://shiftingconnections.com/wp-content/uploads/2014/12/chris-draeger_cold-war_07.jpgChris Draeger_Cold War_07Christoph Draeger (b. 1965, Zurich, Switzerland; lives Vienna, Austria and New York), Untitled (Un-Monument), 2014https://shiftingconnections.com/wp-content/uploads/2014/12/smiths_cold-war_08.jpgSmiths_Cold War_08Dolsy Smith (c. 1978, New York, lives Washington D.C.) and Kant Smith (b. 1983, Lafayette, LA; lives New York), Clandestine Reading Room, 2014https://shiftingconnections.com/wp-content/uploads/2014/12/dread-scott_cold-war_061.jpgDread Scott_Cold War_06Dread Scott (b. 1965, Chicago, IL; lives New York) Monumental Monument to Cold War Victory, 2014.https://shiftingconnections.com/wp-content/uploads/2014/12/camel-collective_cold-war03.jpgCamel Collective_Cold War03Camel Collective, est. 2005 by Anthony Graves (b. 1975 South Bend, IN; lives New York) and Carla Herrera-Prats (b. 1973 Mexico City D.F., lives New York/Mexico City) Cold War Vets Parade, 2014.https://shiftingconnections.com/wp-content/uploads/2014/12/yevgeniy-fiks_cold-war_04.jpgYevgeniy Fiks_Cold War_04Monument to Cold War Victory, installation view, 41 Cooper Square, Cooper Union, New York.https://shiftingconnections.com/wp-content/uploads/2014/12/michael-wang_cold-war_05.jpgMichael Wang_Cold War_05Michael Wang (b. 1981, Olney, MD; lives New York) The Mona Lisa Gown, 2013.https://shiftingconnections.com/wp-content/uploads/2014/12/yevgeniy-fiks_cold-war_02.jpgYevgeniy Fiks_Cold War_02Yevgeniy Fiks and Stamatina Gregory, Monument to Cold War Victory, installation view, including Back to Moscow (Назад в Москву), 2014 by Constantin Boym (b. 1955, Moscow, Russia: lives New York) and Hollywood Ten, 2014 by Szabolcs KissPál (b. 1967, Marosvásárhely, Romania; lives Budapest, Hungary). https://shiftingconnections.com/wp-content/uploads/2014/12/f1b0784.jpg_F1B0784Yevgeniy Fiks, Untitled (Guy Burgess’s Drawings), 2014, in “The Lenin Museum” at The James Gallery, The Graduate Center, CUNY. Photo: Julia Sherman.https://shiftingconnections.com/wp-content/uploads/2014/12/press-release-yevgeniy-fiks.jpgPress Release Yevgeniy FiksYevgeniy Fiks, Pleshki of the Revolution, 2013. Courtesy of the artist.2014-12-21T23:18:22+00:00monthlyhttps://shiftingconnections.com/2014/12/13/all-that-is-marvelous-and-hateful-irving-petlins-inferno/https://shiftingconnections.com/wp-content/uploads/2014/12/and_babies.jpgAnd_BabiesArt Workers Coalition, And babies? 1969.https://shiftingconnections.com/wp-content/uploads/2014/12/c899503b1800311871f9315bc441b590.jpgc899503b1800311871f9315bc441b590https://shiftingconnections.com/wp-content/uploads/2014/12/80540da46af0e6a34a5d524ed162363c.jpeg80540da46af0e6a34a5d524ed162363cThe World of Irving Petlin, installation view, 2014. Courtesy Kent Fine Art, New York, NY.2014-12-18T09:26:02+00:00monthlyhttps://shiftingconnections.com/about/https://shiftingconnections.com/wp-content/uploads/2012/11/aica_2_091613.jpgAICA_2_0916132014-12-14T07:56:09+00:00weekly0.6https://shiftingconnections.com/2014/11/11/tactical-response-ii/https://shiftingconnections.com/wp-content/uploads/2014/11/2-kw-photos-5th-oct2-620x349.jpg2-KW-Photos-5th-Oct2-620x349Projection on the facade of Théâtre Maisonneuve, Place des Arts (14:45 min). Courtesy Musée d'Art Contemporain de Montréal.2014-12-11T14:35:19+00:00monthlyhttps://shiftingconnections.com/2014/07/25/tactical-response/https://shiftingconnections.com/wp-content/uploads/2014/07/tactical-response_cover.jpegTactical Response_cover2014-12-11T14:26:28+00:00monthlyhttps://shiftingconnections.com/2014/10/30/all-that-is-marvelous-chris-ofili/https://shiftingconnections.com/wp-content/uploads/2014/10/dzg_install_view_2_sm.jpgDZG_INSTALL_VIEW_2_smInstallation view: “Chris Ofili: Night and Day". Courtesy David Zwirner, New York / London. Photo: Maris Hutchinson. All works © Chris Ofili.https://shiftingconnections.com/wp-content/uploads/2014/10/chris-ofili_untitled_afromuse_10_1995_sm.jpgAC_03.tifChris Ofili, Untitled (Afromuse), 1995-2005. Courtesy the artist and David Zwirner, New York/London. ©Chris Ofili.https://shiftingconnections.com/wp-content/uploads/2014/10/chris-offili_benoit-pailley_2014_2977_sm.jpgNew Museum_Chris Offili_2014_Benoit Pailley“Chris Ofili: Night and Day” - installation view. Courtesy New Museum, New York. Photo: Benoit Pailley.2014-12-03T22:21:06+00:00monthlyhttps://shiftingconnections.com/2013/03/14/in-sightin-mind-yevgeniy-fiks/https://shiftingconnections.com/wp-content/uploads/2013/03/fiks_52540.jpegFiks_52540https://shiftingconnections.com/wp-content/uploads/2013/03/fiks_52550.jpegFiks_52550Yevgeniy Fiks, Joe-1 Cruising in Washington, DC (Showboat), 2012. Courtesy of the artist and Winkleman Gallery.https://shiftingconnections.com/wp-content/uploads/2013/03/fiks_aleksandrovskiygrdns.jpgFiks_AleksandrovskiyGrdnsYevgeniy Fiks, Alexander Gardens (Александровский Сад), 1950s – 1980s from the series, Moscow (UDP, 2013). Courtesy the artist and Winkleman Gallery.https://shiftingconnections.com/wp-content/uploads/2013/03/fiks_54194.jpeg"Homosexuality is Stalin's Atom Bomb to destroy the United StateYevgeniy Fiks, Stalin's Atom Bomb a.k.a. Homosexuality, 2013, installation view. Photography by Etienne Frossard. Courtesy of the artist and Winkleman Gallery.https://shiftingconnections.com/wp-content/uploads/2013/03/fiks_54192.jpeg"Homosexuality is Stalin's Atom Bomb to destroy the United StateYevgeniy Fiks, History of the CPUSA (Harry Hay), 2013, consists of a 1952 edition of History of the Communist Party of the United States by William Z. Foster, with inserts about the life and work of Harry Hay (1912–2002). Installation detail. Photography by Etienne Frossard. Courtesy of the artist and Winkleman Gallery.https://shiftingconnections.com/wp-content/uploads/2013/03/fiks_54196.jpeg"Homosexuality is Stalin's Atom Bomb to destroy the United StateYevgeniy Fiks, Homosexuality Is Stalin's Atom Bomb to Destroy America, 2013. Courtesy of the artist and Winkleman Gallery.https://shiftingconnections.com/wp-content/uploads/2013/03/fiks_52589.jpeg"Homosexuality is Stalin's Atom Bomb to destroy the United StateYevgeniy Fiks, Homosexuality Is Stalin's Atom Bomb to Destroy America, 2013, installation view. Photography by Etienne Frossard. Courtesy of the artist and Winkleman Gallery.2014-12-03T15:44:08+00:00monthlyhttps://shiftingconnections.com/2014/10/01/utopias-and-realities/https://shiftingconnections.com/wp-content/uploads/2014/10/alejandro-schianchi_sm.jpgAlejandro Schianchi_smAlejandro Schianchi, Untitled (2010), video still. Courtesy of the artist and TransborderArt, New York.https://shiftingconnections.com/wp-content/uploads/2014/10/patricia-villalobos-echeverria_sm.jpgPatricia Villalobos Echeverria_smpatricia villalobos echeverría, aguasmalas (2008), video still. Courtesy of the artist and TransborderArt, New York.https://shiftingconnections.com/wp-content/uploads/2014/09/patricia-villalobos-echeverria.jpgPatricia Villalobos Echeverriahttps://shiftingconnections.com/wp-content/uploads/2014/09/noor-abed.jpgNoor AbedNoor Abed, We Both Know (2013), video still. Courtesy of the artist and TransborderArt, New York.https://shiftingconnections.com/wp-content/uploads/2014/09/jeanne-wilkinson.jpgJeanne WilkinsonJeanne Wilkinson, Accelerating Decline (2012) video still. Courtesy of the artist and TransborderArt, New York.https://shiftingconnections.com/wp-content/uploads/2014/09/hakan-topal.jpgHakan TopalHakan Topal, Roboski (2014) video still. Courtesy the artist and TransborderArt, New York.https://shiftingconnections.com/wp-content/uploads/2014/09/felipe-steinberg.jpgFelipe SteinbergFelipe Steinberg, North by Northwest, North by Northwest (2012), video still. Courtesy of the artist and TransborderArt, New York.https://shiftingconnections.com/wp-content/uploads/2014/09/davey-hawkins.jpgDavey HawkinsDavey Hawkins, The Library of Babel (2012) video still. Courtesy of the artist and TransborderArt, New York.https://shiftingconnections.com/wp-content/uploads/2014/09/ben-hagari.jpgBen HagariBen Hagari, Fresh (2014) video still. Courtesy of the artist and TransborderArt, New York.https://shiftingconnections.com/wp-content/uploads/2014/09/alejandro-schianchi.jpgAlejandro SchianchiAlejandro Schianchi, Untitled (2010), video still. Courtesy of the artist and TransborderArt, New York.2014-10-30T15:06:02+00:00monthlyhttps://shiftingconnections.com/2014/09/18/in-sightin-mind-daniel-canogar/https://shiftingconnections.com/wp-content/uploads/2014/09/dc_stormingtimessquare03.jpgDC_StormingTimesSquare03Midnight Moment: Daniel Canogar, Storming Times Square, 2014. Photograph by Chris Romero for bitforms Gallery.https://shiftingconnections.com/wp-content/uploads/2014/09/dc_stormingtimessquare02.jpgDC_StormingTimesSquare02Midnight Moment: Daniel Canogar, Storming Times Square, 2014. Photograph by Clint Spaulding for @TSqArtshttps://shiftingconnections.com/wp-content/uploads/2014/09/dc_stormingtimessquare01.jpgDC_StormingTimesSquare01Midnight Moment: Daniel Canogar, Storming Times Square, 2014. Photograph by Ka-Man Tse for @TSqArts. https://shiftingconnections.com/wp-content/uploads/2014/09/dc_clandestinosmadrid_2006.jpgDC_clandestinosmadrid_2006Daniel Canogar, Clandestinos, Madrid, 2006. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2014/09/clandestinos_r_o_janeiro_body.jpgClandestinos_R_o_Janeiro_bodyDaniel Canogar, Clandestinos, Rio de Janeiro, 2006. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2014/09/canogar_storming08b_kmq1.jpgCanogar_Storming08b_KMQDaniel Canogar, Storming Times Square, 2014. Photo © Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2014/09/canogar_storming08b_kmq.jpgCanogar_Storming08b_KMQDaniel Canogar, Storming Times Square, 2014. Photo © Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2014/09/canogar_storming06b_kmq.jpgCanogar_Storming06b_KMQArtist Daniel Canogar during the filming of Storming Times Square, July 24, 2014. Photo © Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2014/09/canogar_storming05b_kmq.jpgCanogar_Storming05b_KMQArtist Daniel Canogar during the filming of Storming Times Square, July 24, 2014. Photo © Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2014/09/canogar_storming04b_kmq.jpgCanogar_Storming04b_KMQParticipants during the filming of Storming Times Square, July 24, 2014. Photo © Kathleen MacQueen.2014-09-19T09:37:40+00:00monthlyhttps://shiftingconnections.com/2014/07/08/in-sightin-mind-nightboat-books-callicoon-fine-arts/https://shiftingconnections.com/wp-content/uploads/2014/07/hg017_jpeg-842x0.jpghg017_jpeg.842x0Hervé Guibert, La tête de Jeanne d'Arc, gelatin silver print, 5 5/8 x 8 5/8 inches, 14.3 x 21.9 cm. Courtesy Callicoon Fine Arts, New York, NY.https://shiftingconnections.com/wp-content/uploads/2014/07/hg030.jpghg030Hervé Guibert, L'ami, 1979, gelatin silver print, 5 5/8 x 8 5/8 inches | 14.3 x 21.9 cm. Courtesy of Callicoon Fine Arts.https://shiftingconnections.com/wp-content/uploads/2014/07/caroline_bergvall.jpgCaroline_BergvallCaroline Bergvall, performance lecture, 2013. Photo by Helena Wikström.https://shiftingconnections.com/wp-content/uploads/2014/07/hg__2014_03-842_sm.jpghg__2014_03.842_smHervé Guibert, installation view, Callicoon Fine Arts, 2014. Courtesy Callicoon Fine Arts, New York, NY.https://shiftingconnections.com/wp-content/uploads/2014/07/herveguibert_cover.jpgHerveGuibert_CoverHervé Guilbert, The Mausoleum of Lovers: Journals 1976-1991, trans. Nathanaël (Nightboat Books, 2014).https://shiftingconnections.com/wp-content/uploads/2014/07/hg039.jpghg039Hervé Guilbert, Écriture, 1983 gelatin silver print 5 5/8 x 8 1/2 inches image size | 14.3 x 21.6 cm. Courtesy Callicoon Fine Arts, New York, NY.https://shiftingconnections.com/wp-content/uploads/2014/07/cb-drift-cover_2.jpgCB-DRIFT-cover_2Caroline Bergvall, Drift (Nightboat Books, 2014). https://shiftingconnections.com/wp-content/uploads/2014/07/hg024.jpghg024Hervé Guilbert, Autoportrait avec Suzanne et Louise, 1979, gelatin silver print, 5 3/4 x 9 inches | 14.6 x 22.9 cm. Courtesy Callicoon Fine Arts, New York, NY.https://shiftingconnections.com/wp-content/uploads/2014/07/nightboat_tmol_final_web_cover.jpgNightboat_TMOL_FINAL_WEB_coverHervé Guilbert, The Mausoleum of Lovers: Journals 1976-1991, trans. Nathanaël (Nightboat Books, 2014).https://shiftingconnections.com/wp-content/uploads/2014/07/ea060_2801.jpgea060_2801Etel Adnan, Untitled, 1983 Oil on canvas 29 x 29 inches | 73.7 x 73.7 cm. Courtesy Callicoon Fine Arts, New York, NY.2014-07-25T07:45:57+00:00monthlyhttps://shiftingconnections.com/2013/02/08/tell-it-slant/https://shiftingconnections.com/wp-content/uploads/2013/02/spero_picasso-and-fredericks-of-hollywood_diptych.jpgSpero_Picasso and Frederick's of Hollywood_diptychNancy Spero, Picasso and Frederick's of Hollywood, 1990, handprinted collage on paper, 2 parts: 17.25 x 109.625 inches (43.8 x 278.4 cm) each. © The Estate of Nancy Spero. Courtesy Galerie Lelong, New York.https://shiftingconnections.com/wp-content/uploads/2013/02/spero_the-underworld.jpgThe Underworld, 1997Nancy Spero, The Underworld, 1997, handprinting and printed collage on paper, 63 x 19 inches (160 x 48.3 cm) © The Estate of Nancy Spero. Courtesy Galerie Lelong, New York.https://shiftingconnections.com/wp-content/uploads/2013/02/spero_invocation.jpgInvocation, 1995Nancy Spero, Invocation, 1995, handprinting and printed collage on paper, 19.5 x 96.5 inches (49.5 x 245.1 cm) © The Estate of Nancy Spero, Courtesy Galerie Lelong, New York.https://shiftingconnections.com/wp-content/uploads/2013/02/spero_goddess-nut-ii.jpgSpero_Goddess Nut IINancy Spero, The Goddess Nut II, 1990 Handprinting and printed collage on paper 5 parts: 84 x 110 inches (213.4 x 279.4 cm) overall © The Estate of Nancy Spero Courtesy Galerie Lelong, New Yorkhttps://shiftingconnections.com/wp-content/uploads/2013/02/spero_argentina.jpgArgentina, 1981Nancy Spero, Argentina, 1981, handprinting and typewriter collage on paper, 26.5 x 40.5 inches (67.3 x 102.9 cm) © The Estate of Nancy Spero. Courtesy Galerie Lelong, New York.2014-07-03T19:20:52+00:00monthlyhttps://shiftingconnections.com/2014/04/26/lizards-and-stones-on-touching-ii/https://shiftingconnections.com/wp-content/uploads/2014/04/sara-simon02.jpgSara Simon02Sara Simon, Untitled, 2014, primed rayon, performative costume. Photo by Martine Kaczynski.https://shiftingconnections.com/wp-content/uploads/2014/04/sara-simon01.jpgSara Simon01Sara Simon, Untitled, 2014, primed rayon, performative costume. Photo by Martine Kaczynski.https://shiftingconnections.com/wp-content/uploads/2014/04/sarah-lucas_nudnob05sm1.jpgSarah Lucas_NudNob05smSarah Lucas, NUD NOB, Gladstone Gallery, March 7 - April 26, 2014. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/04/sarah-lucas_nudnob03sm.jpgSarah Lucas_NudNob03smSarah Lucas, NUD NOB, Gladstone Gallery, March 7 - April 26, 2014. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/04/sarah-lucas_nudnob04sm.jpgSarah Lucas_NudNob04smSarah Lucas, NUD NOB, Gladstone Gallery, March 7 - April 26, 2014. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/04/sarah-lucas_nubnob03.jpgSarah Lucas_NubNob03Sarah Lucas, NUD NOB, Gladstone Gallery, March 7 - April 26, 2014. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/04/2014whitney-biennial.jpg2014Whitney Biennial2014 Whitney Biennial, installation view of the fourth floor contribution by curator Michelle Grabner. Photo by the author.https://shiftingconnections.com/wp-content/uploads/2014/04/alma-allen_02sm.jpgAlma Allen_02smhttps://shiftingconnections.com/wp-content/uploads/2014/04/alma-allen_01sm.jpgAlma Allen_01smAlma Allen, Untitled, 2013, marble on oak base; Untitled, 2013, marble on oak base; and Untitled, 2013, walnut on aluminum base, installation view, Whitney Biennial, March 7 - May 25, 2014. Photo by the author. https://shiftingconnections.com/wp-content/uploads/2014/04/tunga_2014_install_40.jpgTunga_2014_install_40Tunga, Aurora, 2014 and The Bather, 2014 Installation view From “La Voie Humide” Apr 19 - May 31, 2014 Luhring Augustine, New York.2014-07-01T18:30:06+00:00monthlyhttps://shiftingconnections.com/2014/06/27/and-now-to-begin/https://shiftingconnections.com/wp-content/uploads/2014/06/ac_portrait_detail_sm.jpgA Printed Portrait of Julie Aulthttps://shiftingconnections.com/wp-content/uploads/2014/06/index_1_webd4233.jpgIndex (An Orphan)ALEJANDRO CESARCO, Index (An Orphan), 2012. Courtesy Murray Guy, New York, NY.https://shiftingconnections.com/wp-content/uploads/2014/06/flores.jpgfloresALEJANDRO CESARCO, Flowers, 2003. Courtesy Murray Guy, New York, NY.https://shiftingconnections.com/wp-content/uploads/2014/06/ac_printed-portrait-of-julie-ault-4_detail.jpgAC_Printed-Portrait-of-Julie-Ault-4_detailALEJANDRO CESARCO, A Printed Portrait of Julie Ault, 2013. Courtesy of Murray Guy, New York.https://shiftingconnections.com/wp-content/uploads/2014/06/camille-henrot_nyc_0765_sm.jpgNew Museum_Camille Henrot_05_2014_NYC_Benoit Pailley“Camille Henrot: The Restless Earth,” New Museum, 2014. Courtesy New Museum, New York. Photo: Benoit Pailley.https://shiftingconnections.com/wp-content/uploads/2014/06/camille-henrot_nyc_1263_sm.jpgNew Museum_Camille Henrot_05_2014_NYC_Benoit Pailley“Camille Henrot: The Restless Earth,” New Museum, 2014. Courtesy New Museum, New York. Photo: Benoit Pailley.https://shiftingconnections.com/wp-content/uploads/2014/06/camille-henrot_nyc_0817_sm.jpgNew Museum_Camille Henrot_05_2014_NYC_Benoit Pailley“Camille Henrot: The Restless Earth,” New Museum, 2014. Courtesy New Museum, New York. Photo: Benoit Pailley.https://shiftingconnections.com/wp-content/uploads/2014/06/camille-henrot_nyc_0724_sm.jpgNew Museum_Camille Henrot_05_2014_NYC_Benoit Pailley“Camille Henrot: The Restless Earth,” New Museum, 2014. Courtesy New Museum, New York. Photo: Benoit Pailley.2014-07-01T17:27:24+00:00monthlyhttps://shiftingconnections.com/2013/09/06/virtual-venice/https://shiftingconnections.com/wp-content/uploads/2013/09/jonas-staal01.jpgjonas-staal01https://shiftingconnections.com/wp-content/uploads/2013/09/ideological-guide.jpgideological guidehttps://shiftingconnections.com/wp-content/uploads/2013/09/image.jpegimage.Rudolf Stingel, Palazzo Grassi, 2013https://shiftingconnections.com/wp-content/uploads/2013/09/venice-biennale-2013.jpgvenice-biennale-2013https://shiftingconnections.com/wp-content/uploads/2013/09/hadzi-vasileva_rats.jpgHadzi-Vasileva_ratsElpida Hadzi-Vasileva, Silentio Pathologia for the 55th Venice Biennale, 2013, detail of rat skins. Photo from the artist's blog.https://shiftingconnections.com/wp-content/uploads/2013/09/staal_nws-2.jpgStaal_NWS (2)Jonas Staal, New World Summit in Sophiensaele, Berlin, 2012. Photo from the artist's website.https://shiftingconnections.com/wp-content/uploads/2013/09/hh_germania.jpghh_germaniaHans Haacke, Germania, 1993. Installation view: German Pavilion, 45th Venice Biennale. © Hans Haacke/Artists Rights Society.https://shiftingconnections.com/wp-content/uploads/2013/09/001_il_tuo_paese.jpg001_Il_Tuo_PaeseLibia Castro and Ólafur Ólafsson, Il Tuo Paese Non Esiste (Your Country Doesn´t Exist), 2011, for the 54th Venice Biennale. Image from the artists' website.https://shiftingconnections.com/wp-content/uploads/2013/09/12_chile.jpg12_chileAlfredo Jaar, Venezia, Venezia, for the Chilean Pavilion, the 55th Venice Biennale, 2013. Photo ©Haupt & Binder for Universes in universe.2014-05-14T16:55:44+00:00monthlyhttps://shiftingconnections.com/2013/06/30/strange-pilgrims/https://shiftingconnections.com/wp-content/uploads/2013/06/ja-custodian03.jpgJA Custodian03Jane Alexander, Custodian (2005) fiberglass, oil paint, installation view in the fire-damaged North Transept of the Cathedral of St. John the Divine. Collection of the artist. Photograph © 2013 Kathleen MacQueen. https://shiftingconnections.com/wp-content/uploads/2013/06/ja-harbinger03.jpgJA Harbinger03Jane Alexander, Ghost (2007), Harbinger with protective boots (2004), and Hobbled ruminant (2003-04) fiberglass, oil and acrylic paint, found objects. Collection of the artist. Photograph © 2013 Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2013/06/ja-harbinger022.jpgJA Harbinger02Jane Alexander, Ghost (2007), Harbinger with protective boots (2004), and Hobbled ruminant (2003-04) fiberglass, oil and acrylic paint, found objects. Collection of the artist. Photograph © 2013 Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2013/06/ja-security03.jpgJA Security03Jane Alexander, Security (2006) fiberglass sculpture, oil paint, fence, razor wire, gloves, earth, wheat, machetes, sicles, detail. Collection of the artist. Photograph © 2013 Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2013/06/ja-security02.jpgJA Security02Jane Alexander, Security (2006) fiberglass sculpture, oil paint, fence, razor wire, gloves, earth, wheat, machetes, sicles, detail. Collection of the artist. Photograph © 2013 Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2013/06/ja-security01.jpgJA Security01Jane Alexander, Security (2006) fiberglass sculpture, oil paint, fence, razor wire, gloves, earth, wheat, machetes, sicles, installation view in the now roofless North Transept destroyed by fire in December 2011. Collection of the artist. Photograph © 2013 Kathleen MacQueen..https://shiftingconnections.com/wp-content/uploads/2013/06/ja-infantry01.jpgJA Infantry01Jane Alexander, Infantry (2008-10) fiberglass sculptures, oil paint, found shoes, installation view in the Chapel of St. Boniface with the Archangel Michael in the Cathedral of St. John the Divine. Collection of the artist. Photograph © 2013 Kathleen MacQueen. https://shiftingconnections.com/wp-content/uploads/2013/06/ja-harvester01.jpgJA Harvester01Jane Alexander, Harvester (19979-98) plaster, oil paint, wood chair, installation view in the Chapel of St. Colomba of the Cathedral of St. John the Divine. Collection of the artist. Photograph © 2013 Kathleen MacQueen..https://shiftingconnections.com/wp-content/uploads/2013/06/ja-defendants01.jpgJA Defendants01Jane Alexander, Defendants (2006) fiberglass, oil paint, found clothing, felt, cotton sacks, installation view in the Baptistry of the Cathedral of St. John the Divine. Collection of the artist. Photograph © 2013 Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2013/06/ja-custodian02.jpgJA Custodian02Jane Alexander, Custodian (2005) fiberglass, oil paint, installation view in the fire-damaged North Transept of the Cathedral of St. John the Divine. Collection of the artist. Photograph © 2013 Kathleen MacQueen. 2014-05-11T20:36:11+00:00monthlyhttps://shiftingconnections.com/2014/02/03/wangechi-mutu-when-images-start-to-go-crazy/https://shiftingconnections.com/wp-content/uploads/2014/02/wangechi-mutu_shady_sm.jpgWangechi Mutu_shady_smWangechi Mutu, Shady Promise, 2006. Mixed-media collage on Mylar, overall: 87.5 x 108.75 inches (222.25 x 276.23 cm). The Speyer Family Collection, New York. © Wangechi Mutu.https://shiftingconnections.com/wp-content/uploads/2014/02/wangechi-mutu_riding_sm.jpgWangechi Mutu_riding_smWangechi Mutu, Riding Death, 2002. Ink and collage on paper, 60 x 44 inches (152.4 x 111.76 cm). Collection of Peter Norton, New York. © Wangechi Mutu.https://shiftingconnections.com/wp-content/uploads/2014/02/wangechi-mutu-install10_sm.jpgWangechi Mutu Install(10)_smWangechi Mutu: A Fantastic Journey, 2014, installation view. Courtesy of the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum.https://shiftingconnections.com/wp-content/uploads/2014/02/wangechi-mutu_eves_sm.jpgWangechi Mutu_eves_smWangechi Mutu, Root of All Eves, 2010. Mixed-media ink, paint, and collage on Mylar; 96 3/4 x 58 inches (245.7 x 147.3 cm). Collection of George Hartman and Arlene Goldman, Toronto, Canada. © Wangechi Mutu.https://shiftingconnections.com/wp-content/uploads/2014/02/wangechi-mutu_familytree1_sm.jpgWangechi Mutu_familytree1_smWangechi Mutu, Family Tree, 2012. Suite of 13, mixed-media collage on paper, 16.25 x 12.25 inches (41.28 x 31.12 cm). Collection of the Nasher Museum of Art at Duke University. Museum purchase with additional funds provided by Trent Carmichael (T’88, P’17), Blake Byrne (T'57), Marjorie and Michael Levine (T'84, P’16), Stefanie and Douglas Kahn (P’11, P’13), and Christen and Derek Wilson (T'86, B'90, P'15). Image courtesy of Susanne Vielmetter Los Angeles Projects. © Wangechi Mutu. Photo by Robert Wedemeyer.https://shiftingconnections.com/wp-content/uploads/2014/02/wangechi-mutu_misguided_sm.jpgWangechi Mutu_misguided_smWangechi Mutu, Misguided Little Unforgivable Hierarchies, 2005. Ink, acrylic, collage, and contact paper on Mylar; 81 x 52 inches (205.74 x 132.08 cm). San Francisco Museum of Modern Art. Purchase through a gift of The Buddy Taub Foundation, Jill and Dennis Roach, Directors, 2005.184. Image courtesy of Susanne Vielmetter Los Angeles Projects. © Wangechi Mutu. Photo by Joshua White.https://shiftingconnections.com/wp-content/uploads/2014/02/wangechi-mutu-install12_sm.jpgWangechi Mutu Install(12)_smWangechi Mutu: A Fantastic Journey, 2014, installation view. Courtesy of the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum.https://shiftingconnections.com/wp-content/uploads/2014/02/wangechi-mutu-install5_sm.jpgWangechi Mutu Install(5)_smWangechi Mutu: A Fantastic Journey, 2014, installation view. Courtesy of the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum.2014-05-11T20:31:55+00:00monthlyhttps://shiftingconnections.com/2014/04/02/moyra-davey-on-touching/https://shiftingconnections.com/wp-content/uploads/2014/04/md-ka_221.jpgMD-KA_221MOYRA DAVEY, Kevin Ayers, 2013, 26 c-prints, tape, postage, ink, detail. Courtesy the artist and Murray Guy Gallery, New York.https://shiftingconnections.com/wp-content/uploads/2014/04/md-from-the-diverse-secresy-series-2.jpgMD-From-The-Diverse-Secresy-Series-2MOYRA DAVEY, Untitled (from the Diverse Secrecies series), 1984/86, gelatin silver print. Courtesy the artist and Murray Guy Gallery, New York.https://shiftingconnections.com/wp-content/uploads/2014/04/md-ka_131.jpgMD-KA_131MOYRA DAVEY, Kevin Ayers, 2013, 26 c-prints, tape, postage, ink. Courtesy the artist and Murray Guy Gallery, New York.https://shiftingconnections.com/wp-content/uploads/2014/04/md-ka_101.jpgMD-KA_101MOYRA DAVEY, Kevin Ayers, 2013, 26 c-prints, tape, postage, ink, detail. Courtesy the artist and Murray Guy Gallery, New York.https://shiftingconnections.com/wp-content/uploads/2014/04/md-at-mg2014_2.jpgMD-at-MG2014_2-https://shiftingconnections.com/wp-content/uploads/2014/04/md-at-mg2014_ordetail.jpgMD-at-MG2014_ORdetailMOYRA DAVEY, Ornament and Reproach, 2013, composition by David Lang, NYC, sheet music portfolio design by Nestor Kruger, Toronto. Courtesy the artist and Murray Guy Gallery, New York. https://shiftingconnections.com/wp-content/uploads/2014/04/md-at-mg2014-or.jpgMD-at-MG2014-ORMOYRA DAVEY, Ornament and Reproach, 2012-13, 34 c-prints, tape, postage, ink, installation view. Courtesy the artist and Murray Guy Gallery, New York.2014-04-27T01:22:59+00:00monthlyhttps://shiftingconnections.com/2014/02/26/winter-notations-circumnavigating-time/https://shiftingconnections.com/wp-content/uploads/2014/02/aj-shadows-003-sm.jpgaj-shadows-003-smhttps://shiftingconnections.com/wp-content/uploads/2014/02/tim-rollins-and-k-o-s-_05.jpgTim Rollins and K.O.S._05Tim Rollins and K.O.S., Darkwater III (after W.E.B. Du Bois), 2013. Furnace black watercolor and gold acrylic on vintage book page on panel. Created in collaboration iwht the students of the Esther F. Garrison School of Visual and Performing Arts and the Savannah College of Art and Design. Courtesy of the Artist and Lehmann Maupin Gallery, New York and Hong Kong.https://shiftingconnections.com/wp-content/uploads/2014/02/defineart2014_timrollins_jm_01.jpgdeFINEart2014_TimRollins_JM_01Tim Rollins and K.O.S., RIVERS, 2014, installation view, SCAD Museum of Art. Photography by John McKinnon.https://shiftingconnections.com/wp-content/uploads/2014/02/defineart2014_timrollins_jm_03.jpgdeFINEart2014_TimRollins_JM_03Tim Rollins and K.O.S., RIVERS, 2014, installation view, SCAD Museum of Art. Photography by John McKinnon.https://shiftingconnections.com/wp-content/uploads/2014/02/defineart2014_alfredojaar_jm_02.jpgdeFINEart2014_AlfredoJaar_JM_02Alfredo Jaar, Faces, 1982. Eleven paired Photostats, installation view, SCAD Museum of Art. Courtesy of Galerie Lelong, New York.https://shiftingconnections.com/wp-content/uploads/2014/02/defineart2014_alfredojaar_jm_01.jpgdeFINEart2014_AlfredoJaar_JM_01Alfredo Jaar, Shadows, 2014. Mixed media installation, SCAD Museum of Art. Commissioned by the Savannah College of Art and Design with support from the Ford Foundation. Courtesy of Galerie Lelong, New York. https://shiftingconnections.com/wp-content/uploads/2014/02/defineart2014_samnhlengethwa_jm_02.jpgdeFINEart2014_SamNhlengethwa_JM_02Sam Nhlengethwa: Life, Jazz and Lots of Other Things, installation view at the SCAD Museum of Art, 2014. Courtesy SCAD.https://shiftingconnections.com/wp-content/uploads/2014/02/sam-nlengethwa_03.jpgSam Nlengethwa_03Sam Nhlengethwa, Glimpses of the 50s and 60s, 2002-03. Suite of 30 photo collages. Collection of Stefan Ferreira. Photo the author.https://shiftingconnections.com/wp-content/uploads/2014/02/sam-nlengethwa_02.jpgSam Nlengethwa_02Sam Nhlengethwa and Marguerite Stephens, The Models, 2011. Woven mohair tapestry. Courtesy Goodman Gallery, South Africa. Photo the author.https://shiftingconnections.com/wp-content/uploads/2014/02/sam-nlengethwa_01.jpgSam Nlengethwa_01Sam Nhlengethwa, Glimpses of the 50s and 60s, 2002-03. Suite of 30 photo collages. Collection of Stefan Ferreira. Photo the author.2014-04-05T08:42:57+00:00monthlyhttps://shiftingconnections.com/2013/12/23/peace-on-earth/https://shiftingconnections.com/wp-content/uploads/2013/12/p1090491.jpgP1090491Unisphere at Flushing Meadows Park, NYC, 2013, © Kathleen MacQueen.2014-02-04T00:27:44+00:00monthlyhttps://shiftingconnections.com/2013/11/25/between-nothing-and-everything/https://shiftingconnections.com/wp-content/uploads/2013/11/akademiaruchu-359x225.pngakademiaruchu-359x225https://shiftingconnections.com/wp-content/uploads/2013/11/raqs_last-international03.jpgraqs_last international03Raqs Media Collective, The Last International, 2013. Courtesy Performa 13.https://shiftingconnections.com/wp-content/uploads/2013/11/raqs_last-international021.jpgraqs_last international02Raqs Media Collective, The Last International, 2013. Courtesy Performa 13.https://shiftingconnections.com/wp-content/uploads/2013/11/raqs_last-international01.jpgRaqs_last international01Raqs Media Collective, The Last International, 2013. Courtesy Performa 13.2013-12-27T18:08:09+00:00monthlyhttps://shiftingconnections.com/phd/https://shiftingconnections.com/wp-content/uploads/2012/11/macqueendissertationlarge.pngMacQueenDissertationLargeImage from ProQuest https://shiftingconnections.com/wp-content/uploads/2012/11/macqueendissertationabstract.pngMacQueenDissertationAbstracthttps://shiftingconnections.com/wp-content/uploads/2012/12/macqueendissertation.pngMacQueenDissertation2013-12-24T11:36:05+00:00weekly0.6https://shiftingconnections.com/artwork-exhibitions/https://shiftingconnections.com/wp-content/uploads/2013/12/speech-fast-cards.jpgspeech fast cards2013-12-24T11:35:17+00:00weekly0.6https://shiftingconnections.com/2013/12/10/in-sightin-mind-jill-obryan/https://shiftingconnections.com/wp-content/uploads/2013/12/job_billion02.jpgJO'B_billion02Jill O'Bryan, A Billion Breaths, 2013, in situ in New Mexico's Route's I-25. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2013/12/job_india-ink-drawing.jpgJO'B_India ink drawingJill O'Bryanhttps://shiftingconnections.com/wp-content/uploads/2013/12/job_frottage02.jpgJO'B_frottage02Jill O'Bryanhttps://shiftingconnections.com/wp-content/uploads/2013/12/job_frottage-in-situ.jpgJO'B_frottage in situArtist Jill O'Bryan creating "frottage" drawing in the desert landscape of New Mexico.https://shiftingconnections.com/wp-content/uploads/2013/12/job_billion01.jpgJO'B_billion01Jill O'Bryan, A Billion Breaths, 2013, in situ in New Mexico's Route's I-25. Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2013/12/job_billion_map.jpgJO'B_billion_map2013-12-23T20:33:15+00:00monthlyhttps://shiftingconnections.com/2013/11/10/who-is-listening/https://shiftingconnections.com/wp-content/uploads/2013/11/nicola-goode-8alt.jpgnicola-goode-8althttps://shiftingconnections.com/wp-content/uploads/2013/11/sl_02.jpgsl_02Between the Door and the Street, 2013, a performance initiated by Suzanne Lacy. Courtesy of Creative Time and Brooklyn Museum.https://shiftingconnections.com/wp-content/uploads/2013/11/sl_08.jpgsl_08Between the Door and the Street, 2013, a performance initiated by Suzanne Lacy. Courtesy of Creative Time and Brooklyn Museum.https://shiftingconnections.com/wp-content/uploads/2013/11/nicola-goode-11.jpgnicola-goode-11Between the Door and the Street, 2013, a performance initiated by Suzanne Lacy. Courtesy of Creative Time and Brooklyn Museum.https://shiftingconnections.com/wp-content/uploads/2013/11/nicola-goode-8.jpgnicola-goode-8Between the Door and the Street, 2013, a performance initiated by Suzanne Lacy. Courtesy of Creative Time and Brooklyn Museum.2013-12-07T00:48:54+00:00monthlyhttps://shiftingconnections.com/2013/09/27/fall-variations-shows-by-women-artists/https://shiftingconnections.com/wp-content/uploads/2013/09/merike-estna02.jpg"Spinach & Banana" by Merike Estna at Winkleman galleryMerike Estna, "spinach banana," installation view, Winkleman Gallery, NY. Photography by Etienne Frossard.https://shiftingconnections.com/wp-content/uploads/2013/09/conservationclass9_rockburne1.jpgconservationclass9_rockburneDorothea Rockburne (American, born Canada 1932). Conservation Class #9. 1973. Graphite on paper mounted on gessoed masonite. 34 1/2 × 70″ (87.6 × 177.8 cm). Collection the artist. © 2013 Dorothea Rockburne / Artists Rights Society (ARS), New York.https://shiftingconnections.com/wp-content/uploads/2013/09/32074_a_01_preview3.jpg32074_A_01_PREVIEW3Anne Truitt, Grant, 1974, acrylic on wood, 7 1/2 x 144 x 9 1/2 inches, 19 x 366 x 24 cm. Courtesy Matthew Marks Gallery, NY.https://shiftingconnections.com/wp-content/uploads/2013/09/marika-estna01.jpg"Spinach & Banana" by Merike Estna at Winkleman galleryMerike Estna, "spinach banana," installation view, Winkleman Gallery, NY. Photography by Etienne Frossard.https://shiftingconnections.com/wp-content/uploads/2013/09/caustin_20130915_0124-842x0.jpgcaustin_20130915_0124.842x0A.K. Burns, Ending with a Fugue, 2013, installation view. Courtesy the artist and Callicoon Fine Arts, NY.https://shiftingconnections.com/wp-content/uploads/2013/09/friedemann03.jpgfriedemann03Nancy Friedemann, from her exhibition "On the Margins of a Portrait," 2013. Detail, enamel on dibond. Photo © 2013 Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2013/09/bove_install7-small.jpgIN2256.7Installation view of the exhibition Carol Bove: The Equinox. July 20, 2013–January 12, 2014. All artworks either courtesy of the artist, Maccarone New York and David Zwirner New York/London or in the collection of MoMA and © 2013 Carol Bove. Photo by John Wronn © 2013 The Museum of Modern Art, New York.2013-10-31T16:49:29+00:00monthlyhttps://shiftingconnections.com/shifting-connections-at-bombsite/2013-10-30T16:20:42+00:00weekly0.6https://shiftingconnections.com/2013/08/08/summer-shorts-ii/https://shiftingconnections.com/wp-content/uploads/2013/08/qureshi_poster.jpgQureshi_posterPoster image, rooftop commission, The Metropolitan Museum of Art, 2013.https://shiftingconnections.com/wp-content/uploads/2013/08/qureshi03.jpgQureshi03Imran Qureshi, rooftop commission, The Metropolitan Museum of Art, 2013. Photograph © 2013 Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2013/08/qureshi02.jpgQureshi02Imran Qureshi, rooftop commission, The Metropolitan Museum of Art, 2013. Photograph © 2013 Kathleen MacQueen.https://shiftingconnections.com/wp-content/uploads/2013/08/qureshi01.jpgQureshi01Imran Qureshi, rooftop commission, The Metropolitan Museum of Art, 2013. Photograph © 2013 Kathleen MacQueen.2013-09-16T00:22:52+00:00monthlyhttps://shiftingconnections.com/2013/08/15/benches-pure-and-simple/https://shiftingconnections.com/wp-content/uploads/2013/08/biscotti_performance01.jpgBiscotti_performance01Rossella Biscotti, The Trial, performance at e-flux, May 11, 2013. Photograph by Ray Anastas.https://shiftingconnections.com/wp-content/uploads/2013/08/capearcadia1.jpgCape@Arcadia1Francis Cape, Utopian Benches, 2011. Installation view Arcadia University Art Gallery, Glendale, PA.https://shiftingconnections.com/wp-content/uploads/2013/08/francis-cape02.jpgFrancis Cape02https://shiftingconnections.com/wp-content/uploads/2013/08/francis-cape01.jpgFrancis Cape01Francis Cape, Utopian Benches, 2013, installation view Murray Guy Gallery. Photograph © 2013 Kathleen MacQueen. https://shiftingconnections.com/wp-content/uploads/2013/08/biscotti02.jpgBiscotti02Rossella Biscotti, The Trial, installation view, e-flux, New York, 2013. Photograph © 2013 Kathleen MacQueen. https://shiftingconnections.com/wp-content/uploads/2013/08/biscotti01.jpgBiscotti01Rossella Biscotti, The Trial, 2011. Keys taken from the high-security courthouse in Foro Italico, Rome. Installation view e-flux, New York, 2013. Photograph © 2013 Kathleen MacQueen. 2013-08-26T20:43:05+00:00monthlyhttps://shiftingconnections.com/2013/07/17/summer-shorts/https://shiftingconnections.com/wp-content/uploads/2013/07/irwin_whitney1977_2013.jpgIrwin_Whitney1977_2013https://shiftingconnections.com/wp-content/uploads/2013/07/irwin_whitney1977.jpgIrwin_Whitney1977Robert Irwin, Scrim Veil—Black Rectangle—Natural Light, Whitney Museum of American Art, New York (1977), 1977/2013.https://shiftingconnections.com/wp-content/uploads/2013/07/paul_mccarthy_ws_20131.jpgPaul_McCarthy_WS_2013Paul McCarthy, WS, 2013, installation view of multi-channel projection. Courtesy of the artist and Hauser & Wirth. Installation photo at Park Avenue Armory by James Ewing.2013-08-01T14:58:44+00:00monthlyhttps://shiftingconnections.com/2013/06/20/questionable-consensus/https://shiftingconnections.com/wp-content/uploads/2013/06/pbo_demirc3b6ren-mall1.jpgPBO_Demirören MallDemirören Mall: before and after images: "Deveaux Apartments 1890, before the fire" and "Demirören Istiklal 2011: Deveaux lives on with all its glory." Photo by Paul Benjamin Osterlund.https://shiftingconnections.com/wp-content/uploads/2013/06/sulukule_and_the_wall.jpgSulukule_and_the_wallSulukule before it was demolished (old city walls to the left). Wikipedia Commons.https://shiftingconnections.com/wp-content/uploads/2013/06/pbo_tarlabac59fc4b1.jpgPBO_TarlabaşıPoster covering the demolition zone in Tarlabaşı. Photo by Paul Benjamin Osterlund.2013-06-21T21:06:34+00:00monthlyhttps://shiftingconnections.com/2013/05/23/documentary-uncertainty/https://shiftingconnections.com/wp-content/uploads/2013/05/jacir-2.jpgJacir-2Emily Jacir, Where We Come From (2001-3) detail (Munir). Photo: Bill Orcutt. Copyright: Emily Jacir.https://shiftingconnections.com/wp-content/uploads/2013/05/jacir.jpgJacirEmily Jacir, Where We Come From (2001-3) detail (Munir). Photo: Bill Orcutt. Copyright: Emily Jacir.https://shiftingconnections.com/wp-content/uploads/2013/05/hadjithomas-joreige.jpgHadjithomas-JoreigeJoanna Hadjithomas and Khalil Joreige, Wonder Beirute: The Story of a Pyromaniac Photographer (1998-2006). Courtesy of the artists.https://shiftingconnections.com/wp-content/uploads/2013/05/mcqueen-gravesend-still.jpgMcQueen-Gravesend-stillSteve McQueen, stills from Gravesend (2007). Courtesy of the artist and the Marian Goodman Gallery.https://shiftingconnections.com/wp-content/uploads/2013/05/mcqueen-gravesend-still1.jpgMcQueen-Gravesend-still1https://shiftingconnections.com/wp-content/uploads/2013/05/barrada_le-detroit.jpgBarrada_Le DetroitYto Barrada, Le Détroit, avenue d'Espagne, Tangier (2000). From A Life Full of Holes: The Strait Project (1998-2004). Courtesy of the artist.https://shiftingconnections.com/wp-content/uploads/2013/05/mroue.jpgHaus der Kulturen Berlin Documentary Forum 1Rabih Mroué, Inhabitants of Images (2009). Courtesy of the artist.2013-06-20T13:49:59+00:00monthlyhttps://shiftingconnections.com/2013/06/07/the-strength-to-see/https://shiftingconnections.com/wp-content/uploads/2013/06/aj-realpictures-kmq-sm.jpgAJ RealPictures-KMQ-smA visitor to the Berlinischer Galerie views Alfredo Jaar's installation of Real Pictures (1995). Photo by the author.2013-06-20T13:43:14+00:00monthlyhttps://shiftingconnections.com/2013/05/04/nayda-collazo-llorens-an-exercise-in-numbness-and-other-tales/https://shiftingconnections.com/wp-content/uploads/2013/05/nclescaperucita-sm.jpgNCLescaperucita smNayda Collazo-Llorens, ESCaperucita and the Little Flying Hood, 2009/12, print on aluminum. Courtesy the artist.https://shiftingconnections.com/wp-content/uploads/2013/05/nclunfolding842-sm.jpgNCLunfolding842 smNayda Collazo-Llorens, Unfolding the Triangle: Lake Michigan, 2012, installation view, Richmond Center for the Arts, WMU. Courtesy the artist.https://shiftingconnections.com/wp-content/uploads/2013/05/nclunfolding074-sm.jpgNCLunfolding074 smNayda Collazo-Llorens, Unfolding the Triangle: Lake Michigan, 2012, found object detail. Courtesy the artist.https://shiftingconnections.com/wp-content/uploads/2013/05/nclunfolding5-sm.jpgNCLunfolding5 smNayda Collazo-Llorens, Unfolding the Triangle: Lake Michigan, 2012, video component, installation detail. Courtesy the artist.https://shiftingconnections.com/wp-content/uploads/2013/05/nclcomfnumbcrop-sm.jpgNCLcomfNUMBcrop smNayda Collazo-Llorens, An Exercise in Numbness and other Tales, 2012, installation detail. Courtesy the artist.https://shiftingconnections.com/wp-content/uploads/2013/05/nclcomfnumb853-sm.jpgNCLcomfNUMB853 smNayda Collazo-Llorens, An Exercise in Numbness and other Tales, installation view, the Richmond Center for the Arts, WMU, 2012. Courtesy the artist.https://shiftingconnections.com/wp-content/uploads/2013/05/nclcomfnumb-sm.jpgNCLcomfNUMB smNayda Collazo-Llorens, An Exercise in Numbness, 2012, detail of 1500 framed images, overall dimensions variable. Courtesy the artist.https://shiftingconnections.com/wp-content/uploads/2013/05/ncl-escap890-sm.jpgNCL-ESCap890 smNayda Collazo-Llorens, ESCaperucita and the Little Flying Hood, 2009/2012, detail, print on aluminum. Courtesy the artist.2013-05-23T22:44:34+00:00monthlyhttps://shiftingconnections.com/2013/03/21/winter-notations-2/https://shiftingconnections.com/wp-content/uploads/2013/03/fresu0008_frame2-600x291.jpgFRESU0008_frame2-600x291https://shiftingconnections.com/wp-content/uploads/2013/03/fresu0132-600x336.jpgFRESU0132-600x3362013-05-04T13:18:36+00:00monthlyhttps://shiftingconnections.com/2012/11/29/krzysztof-wodiczkos%e2%80%a8-abraham-lincoln-war-veteran-projection%e2%80%a8/https://shiftingconnections.com/wp-content/uploads/2012/11/lincoln-installation-double_small.jpgLincoln installation double_SMALLhttps://shiftingconnections.com/wp-content/uploads/2012/11/lincoln-installation-wide-view_small.jpgLincoln Installation - wide view_SMALL2013-03-14T04:23:25+00:00monthlyhttps://shiftingconnections.com/2013/01/15/transversal-practices/https://shiftingconnections.com/wp-content/uploads/2013/01/sevgi.jpgSevgiSevgi Ortaç, Missing the Place, 2011, video still. Courtesy of the artist and metroZones, Hg.https://shiftingconnections.com/wp-content/uploads/2013/01/2abiqfoaczgdlno3nayjgqvcvrxq0y1zit7cn8nboqa.jpg2AbIqfOaCzGdlNO3NayjGqVcvrXq0Y1zIT7cN8NBOQAhttps://shiftingconnections.com/wp-content/uploads/2013/01/17-c2a9-frida-hartz_1455.jpg311010 Tepito Santa Muertehttps://shiftingconnections.com/wp-content/uploads/2013/01/lia_pict5b.jpgLia_pict5bLía Dansker, I want to believe, 2012, video still. Courtesy the artist and metroZones, Hg.https://shiftingconnections.com/wp-content/uploads/2013/01/rika_camera-austria.jpgthe Urban Cultures of Global Prayers_Camera Austria_2012Rika Collective, Mungiki Camp, multimedia installation at Camera Austria, Graz, 2012. Courtesy of the artists and metroZones, Hg.https://shiftingconnections.com/wp-content/uploads/2013/01/double-image.jpgdouble image2013-03-14T04:22:00+00:00monthlyhttps://shiftingconnections.com/2013/01/01/tactics-of-the-imagination/https://shiftingconnections.com/wp-content/uploads/2012/12/adams_malraux_3.jpgAdams_malraux_3Dennis Adams, “Malraux’s Shoes” (2012). Video still. Single-channel video, 42 minutes. Written and performed by Dennis Adams. Directed by Dennis Adams and Paul Colin.https://shiftingconnections.com/wp-content/uploads/2012/12/acintime.jpgacintimehttps://shiftingconnections.com/wp-content/uploads/2012/12/ac2.jpgac2Alejandro Cesarco, Words Applied to Wounds, 2012. Installation view. Courtesy the artist and Murray Guy.https://shiftingconnections.com/wp-content/uploads/2012/12/imaginary-museum.jpgimaginary museum2013-03-14T04:19:38+00:00monthlyhttps://shiftingconnections.com/2013/01/30/suspended-interference/https://shiftingconnections.com/wp-content/uploads/2013/01/reelunreel_crop1.jpgReelUnreel_crop1Francis Alÿs (In collaboration with Julien Devaux and Ajmal Maiwandi) REEL-UNREEL, 2011. Single channel video projection; color, sound; 19:28 minutes. Courtesy David Zwirner, New York/London.https://shiftingconnections.com/wp-content/uploads/2013/01/fa_reelureel_fi.jpgFA_ReelUReel_FI2013-03-14T04:17:36+00:00monthlyhttps://shiftingconnections.com/contact/2012-12-01T15:25:45+00:00weekly0.6https://shiftingconnections.comdaily1.02017-01-10T15:48:16+00:00